This touching film about a Nigerian man fleeing persecution and finding himself mixed up with a rural Icelandic family just got its premiere in Copenhagen’s Headliner Festival.

I was also very lucky to receive the award for Best Original Song for some of my work! It was a great honour and I’m really proud of the score which I hope to release soon.

Staged at the Young Vic, this poignant show was written by Stef Smith and directed by Annie Kershaw.

I created music and sound design based around our isolation within advancing technologies, combining the human voice with digitally dystopic textures.

A limited series True Crime Mockumentary! I composed the score and sound mixed this incredibly ambitious show, the entirety of which is available for free on YouTube.

Made by comedy troupe Casual Violence and directed by J. W. Roberts.

An ongoing stop-motion series in collaboration with animator Lumi Barron, writer David K. Barnes and actor Beth Eyre.

The Tiny Angry Witch and her antics have over a million views on Instagram and it is still growing.

One of the latest shows by the all-female acrobatic theatre group Mimbre. With no dialogue at all, I provided the musical background to help tell the story along with its three talented performers.

The show has been touring across Europe and has been resonating with people along the way.

The Twilight Zone meets British Comedy like Garth Marenghi in this brand new original podcast produced by me with some lovely vintage and retro sounding music and sounds by me also.

Me and the team have created this as a labour of love and are currently working to put more ‘Fear in Your Ear’ this year!

Based on the popular children’s book, this show is produced by Faceplant Theatre, the award-winning company behind One Duck Down.
I did the music for this musical and it’s still on tour so I highly recommend checking it out when it comes your way!

In 2022 I made a musical piece a week. This was a personal exercise for both fun and creativity. There were no rules except it had to be under 60s and I couldn’t start one idea until I had finished the previous one.

Zak Klein, writer of the short film The Elevator Pitch and the popular Netflix feature I Used the Be Famous, takes to directing his own work in this funny but heartwarming story about a ride-share gone wrong.

A poignant play about three women and their experiences of motherhood, pregnancy and their own identities.
I provided sound and music for the show and I was very honoured to be allowed to help tell the storie. of these characters